In the 18th century, the devotion of the pioneers entering Minas Gerais in search of gold,
was responsible for a remarkable blossoming of religious art, full of baroque reminiscences,
influenced by rococo currents and pregnant with modern expressionist invention.
At Congonhas do Campo, the wish of a Portuguese immigrant who had been miraculously
cured of a crippling infirmity was the impetus for the construction of one of Christian
art's most amazing groupings of monuments. The baroque ensemble of the Sanctuary of Bom Jesus
do Congonhas is considered Aleijadinhos masterpiece showing an aesthetic dimension which is
unknown in Europe.
Poignant and disgraced humanity brings together in the same suffering Christ and its
executioners and places on equal footing the sixty - four protagonists of the Passion Play
and the spectator, who here, more than anything else is a pilgrim.
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